Jumat, 29 April 2011

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  • Published on: 1700
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PDF Download Mickey Baker's Complete Course in Jazz Guitar: Book 1 (Ashley Publications), by Mickey Baker

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Mickey Baker's Complete Course in Jazz Guitar: Book 1 (Ashley Publications), by Mickey Baker

Product details

Series: Ashley Publications

Paperback: 64 pages

Publisher: Ashley Publications Inc./Lewis Music Publishing Co.; 1St Edition edition (September 1, 1996)

Language: English

ISBN-10: 0825652804

ISBN-13: 978-0825652806

Product Dimensions:

9 x 0.2 x 12 inches

Shipping Weight: 8.5 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

141 customer reviews

Amazon Best Sellers Rank:

#124,109 in Books (See Top 100 in Books)

I'm returning to jazz guitar study after nearly 20 years away. When I was learning, in a college focused on jazz, this was standard fare. I learned on this book. The first part of the book is focused on chord study. There are tons of great jazz chords and basic, simple, progressions to learn and apply those chords. The reader is learning how to substitute jazz chords in a very simple and repetitive way. The second part of the book is focused on scales, various runs and riffs and soloing.There is no tablature, and I think that is best. It is in every guitarists best interest to learn how to read music. it's very easy and will only help the studying guitarist advance in the long run.This is not an appropriate book for a complete beginner. As a guitarist who had been playing for over 10 years, but with no jazz experience, this book was challenging. 20 years later, with a rusty music degree, it's keeping me on my toes. Not impossible, and a great motivator. I'm feeling great about reinforcing my core knowledge and technique as well as refreshing forgotten ones.If you complete this and the 2nd Baker book, you're well on your way to being able to hold your own in a jazz setting, provided you're also listening to jazz and playing along to records and with other musicians.I feel this would be a great folllow-up to the Berklee Modern Method for Guitar books.

Almost every pro guitarist, and a lot of amateur ones, know the Mickey Baker books. A number of jazzers and rockers started out with them- Pete Townsend has said that he learned his chords from Mickey. This was the only specifically jazz oriented guitar method available back in the 50s when Mickey wrote it, and it's been in print pretty much continuously since then. That by itself should should tell you a lot. A lot of guitarists looking for a good jazz self-study course have looked at this book, and wondered if there was really much to be learned from few simple chord exercises and a few dozen riffs. Sure, there were a lot of good chords to be learned from it, but beyond that...?Actually, there is a tremendous amount of information to be found in this book, but only if you follow Mickey's directions. He doesn't give you a lot of why- just "do this until you have it down." But if you do that, you'll find yourself internalizing a lot of important rules and skills that other teachers spell out. Those hokey sounding chord progressions that Mickey wants you to memorize and transpose to other keys are actually teaching you all the standard jazz substitutions. Mickey does spell out some of these rules in the second half of the book, but if you've done your homework you'll find that it's much easier to apply these rules to soloing if you've actually internalized them than if he had just told you that you could use a Lydian or Aeolian sub for a dominant chord in a 12 bar blues.The second half of this book is all about learning to solo, and a lot of non-readers have looked at it, and been put off by the lack of tab. But you don't need reading skills beyond that absolute minimum to use this book. Mickey has provided all the fingerings below the staff for each exercise. It may be a little unfamiliar at first, but by the time you finish this book- and it'll take a year to really do it right- you'll find that you have some pretty good reading skills, too.Even though it was written back in the 1950s, the riffs and chords Mickey teaches sound just as hip today. Some guitarists will quibble with some of Mickey's choices, or his chord names, but it's more a matter of opinion than a fault in the book. For example, a lot of contemporary guitarists would play something like Bm7-Bb7-Am7... rather than Mickey's straight descending m7ths (Bm7-Bbm7-Am7..) today, but that's something the student will learn just by listening to guitarists today.In short, if you have some basic guitar skills- you know a few dozen chords, and you can strum along- and you're confused by all the different jazz guitar books out there- this is the one you should start with. If you follow his directions, practice every exercise until you've memorized it, and written out and practiced all the transpositions, too, by the time you finish the book you'll be able to comp and put together a simple solo over most any jazz tune.[n.b.- this edition is the original book as printed in the 1950s. There's another edition with a blue cover that was edited and re-typeset in the 70s, but that edition contained a number of errors that were introduced in the editing. This is the one you want.]

On the plus side, the book was inexpensive and does teach some jazz chords and runs. No tab is given but in many cases string number and fret number are printed under the staves. Most of the time I couldn't fully understand the vague written instructions so I would say it is not really a self instruction method. A CD or digital download with backing tracks and recordings of the exercises would good a long way toward making it a viable self instruction method. I gave up using it after a couple of months partly because the exercises were confusing and difficult and didn't sound like the kind of jazz I wanted to learn. Nevertheless I feel I learned a little and that there would be some value to working all the way through the book. Part of what this book teaches is chord substitutions (based on some awkward chords) but the discussion required to understand and apply them isn't in the book.

Mickey Baker's method is renowned and recommended by many. But the book is spartan and throws you in the deep end right at lesson one with a finger crunching page of 26 chords, some of them rather difficult to say the least.But you don't need to learn them all at once, and the exercises in the following lessons space things out, thankfully. Five or six of them will get you through the next several pages of the book.There isn't much in the way of theory in the book, and you can (and should and must) get that elsewhere. The book is practical. You want to play jazz? Mickey shows you how. He doesn't take prisoners, he throws you right into it, and then leads you through it. There are 52 lessons which Mickey seems to have intended for a one-year class, but for most of us a year won't be enough time.This is a book that you'll want to use only if you're serious, and honestly, I like that approach. If you're not serious, watch a couple of videos and strum a little. But learning musicianship takes work. You get out of this book what you put into it.It's certainly not for beginners. I'd say the starting point is more like lower intermediate. You need to be able to read music, understand chord diagrams, and play some of the easier literature.A good book for someone who really wants to learn and is willing to do what it takes. Four stars overall.

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Minggu, 24 April 2011

PDF Download Realidades 3 Teacher's Edition Digital EditionBy Myriam Met, Richard S. Sayers, Carol Eubanks Wargin Peggy Palo Boyles

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  • Sales Rank: #1529898 in Books
  • Published on: 2014
  • Binding: Textbook Binding

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Kamis, 14 April 2011

Ebook Download Gershwin: Rhapsody in Blue (Cambridge Music Handbooks)By David Schiff

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Gershwin: Rhapsody in Blue (Cambridge Music Handbooks)By David Schiff

The Rhapsody in Blue (1924) established Gershwin's reputation as a serious composer and has since become one of the most popular of all American concert works. In this richly informative guide David Schiff considers the piece as musical work, historical event and cultural document. He traces the history of the Rhapsody's composition, performance and reception, placing it within the context of American popular song and jazz and the development of modernism. He also provides a full account of the different published and recorded versions of the work and explores the many stylistic sources of Gershwin's music.

  • Sales Rank: #1329403 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1997-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .31" w x 5.43" l, .40 pounds
  • Binding: Paperback
  • 125 pages
Features
  • Used Book in Good Condition

Review
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'... a most convincing interpretation of this surprisingly complex work and provides a welcome and stimulating addition to the Cambridge handbook series'. Music and Letters

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Selasa, 22 Maret 2011

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  • Sales Rank: #1631116 in eBooks
  • Published on: 2015-02-02
  • Released on: 2015-02-02
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Minggu, 20 Maret 2011

Download Ebook A Monetary History of the United States, 1867-1960

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A Monetary History of the United States, 1867-1960

A Monetary History of the United States, 1867-1960


A Monetary History of the United States, 1867-1960


Download Ebook A Monetary History of the United States, 1867-1960

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A Monetary History of the United States, 1867-1960

Review

"A monumental scholarly accomplishment. . . . [sets] a new standard for the writing of monetary history." (The Economic Journal)

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Product details

Paperback: 888 pages

Publisher: Princeton University Press; New Ed edition (November 1, 1971)

Language: English

ISBN-10: 0691003548

ISBN-13: 978-0691003542

Product Dimensions:

6 x 1.5 x 9 inches

Shipping Weight: 2.6 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

31 customer reviews

Amazon Best Sellers Rank:

#330,971 in Books (See Top 100 in Books)

I am not an economist. I thoroughly enjoy Milton Friedman's other works and his various discussions on economics/ politics. This book is not geared towards a popular audience like his others but is still accessible to someone like me. Some parts of the book delve into technical data and charts but you can still gain meaningful knowledge without fully grasping the technical aspects. The book covers a century of monetary history so it is understandable lengthy, but it also has numerous charts and extensive footnotes at the bottom of most pages, which makes the reading go by fairly quickly. Do not pass up this unique and intriguing opportunity because of the books length or technical discussions.Friedman and Schwartz lay out clear, logical arguments to show the importance of monetary policy on the economy, They cover all of the panics and pay substantial attention to the great depression, offering unconventional views with logic demonstrating why the typical views are misguided. They also weave politics into the narrative and demonstrate the significance of not only what the policies are, but who is in charge. They contend the history of the US (and the world) would have been drastically different if Benjamin Strong didn't pass away as early as he did.The writing is clear and engaging, the passion of the authors shines throughout the entire narrative. While this book would be more preferable to an educated economist, it is still more than worthwhile for anyone interested in the history of America from a unique perspective and the topics covered are still highly relevant today.

Just started reading it but so far Freeman is an easy read. And I am not an economist. He is definitely a libertarian with minimal government ideas. Work reading since this is the foundation of where we are now.

This book (and Golden Fetters) are two seminal works that, had they been read by the top economists in the nation when the Too Big to Fail catastrophe hit, might have found ways to avoid it sooner.

Great!!! A true work of art!

"He who refuses to learn history is condemned to repeat it". Milton Friedman gives an easy to read version of History for the period 1867-1960. If we are wise enough to read and apply his lessons, we will be better off because of it. Especially good reading during this election cycle.

"A Monetary History of the United States, 1867-1960" by Milton Friedman and Anna Schwartz is an epic in economic literature. The authors concisely analyze nearly 100 years of monetary history and prove why monetary economics matter. Their work, originally published in 1963, offers immaculate insight into endogenous and exogenous economic variables that shaped US history.When reviewing a classic text it is important to test it on two criteria: 1) it's ingenuity; and, 2) it's validity. In regards to ingenuity "Monetary History" paved the way towards a statistically grounded analysis of macroeconomics (in this case monetary theory). While "Monetary History" was groundbreaking it's truly memorable aspect is Ch7's "The Great Contraction". This chapter, which is now known as the money hypothesis, revolutionized the way economists thought about the GreatDeprhttp://www.amazon.com/review/R1C118WNLAM4I/ref=cm_cr_pr_cmt?ie=UTF8&ASIN=0691137943&nodeID=#wasThisHelpfulession. Ultimately, this analysis proved to be incorrect.Why the work remains a classic, even though flawed, is because the sheer difficulty in producing such a feat. Friedman and Schwartz managed to put together a comprehensive 100 year monetary history in (a short) 700 pages. The amount of research required to take on such a project is hard to grasp. The footnotes in the "Monetary History" give a small glimpse into how much work was required to create this book. They alone are the size of a mid-sized economic text. Throughout the text the authors synthesis a wide range of evidence, often being forced to recalculate the statistics given to them, and somehow come out with a fairly consistent history.The work is so encompassing it is impossible in an Amazon book review to point out all of the prescient ideas presented in a "Monetary History". Here is a short list off the top of my head: 1) money matters in the short-run; 2) active gov't policy can prevent bank panics if correctly implemented; 3) Consistent misperception regarding economics have OFTEN created bad policy (both in the private and public sphere); 4) the gold standard was never good (and we never had anything near an ACTUAL gold standard); 5) An excellent review of business cycle contractions between 1844-1960; 6)Everything you wanted to know about the composition of banking mechanisms from 1867-1960. There are many, many more...Friedman's "Monetary History" analysis does occasionally feel awkward (this tends to happen when his quantitative analysis does not account for history and he is forced to make qualitative assumptions). 1) The entire Great Contraction rested on the qualitative factor of not having a 'Great Man' running the Federal Reserve; 2) Deflation existed side by side with rapid economic expansion in the 1880's, which Friedman finds interesting, but no attempt is made to ascertain whether monetary issues had any recessionary effects on potential growth; 3) The entire 48-60' analysis exerts a strong ideological stance that did not seem to exist in the earlier chapters. (many more minor hiccups exist and for the most part Friedman is willing to admit when he cannot reasonably prove causation).However, two major problems exist in the "Monetary History".1) The assumption that money does not matter in the long-run is unsupported through their analysis. Friedman and Schwartz fail to find any long lasting effects regarding changes in the price level and money stock to changes in economic activity. This view, which is a very simple look at correlations, is essentially embracing a negation. They fail to find a connection between monetary economics and business cycles so it must not exist. Though this view has little empirical evidence it is made several times throughout the work (and in almost every case the statement seems to be completely out of place). The claim that money is 'neutral' has forever changed economics by being included in the Neoclassical Synthesis.2) Friedman's chapter on the velocity of money is by far the weakest part of his text. After going on for ~700 pages with precise attention to quantitative analysis Friedman is forced to argue, in a mere 3 pages, that changes in velocity must be due to rational expectations (with little empirical evidence). Friedman's assumption that Velocity exhibits a secular decline with rising income is CRUCIAL when analyzing Monetarism. The Quantity Theory of Money states: Money*Velocity=Price*Output --- M*V=P*Y (this is a rearrangement of Fisher's equation -- See Michael Emmett Bradely's review for a far superior theoretical analysis of this equation). If Velocity can be considered constant then changes in M = changes in P*Y. This means all that is needed to have stable business cycles is an unchanging, or better yet a slightly increasing, money supply. HOWEVER, this flawed assumption is why Monetarism is so difficult to implement into policy. Friedman's tentative assumption in his "Monetary History" became the dogma of Monetarism."A Monetary History of the US, 1867-1960" is a revolutionary, albeit flawed, canon in economic literature.

This analysis provides outstanding insight into the inherent deficiencies of the fiat money system (not based on a precious metal (gold) - only based on government fiat). The Federal Reserve utilizes the fiat money system to facilitate "controlled inflation" which has resulted in the depreciation of the US dollar by over 98% since Roosevelt's election. Gold was worth $20 an ounce in 1932. It is now worth approximately $1300. Do the math [(o.o5 - 0.001) / 0.05].Although the book covers the time period between 1857 and 1960, it applies to the situation today to an even greater degree than when it was written in 1963.

For the few individuals who desire a better understanding of monetary policy history of the US this is a valuable reference tool.

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Kamis, 03 Maret 2011

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